Giantessstories are a genre of fantasy that focuses on the exploits of giantess-like beings. These are usually females and are characterized by superhuman size, strength, and beauty.
The underlying theme in many of these stories is a sense of female empowerment, often through the use of absurd humor. Some of these stories are retold in movies, television series, comic books, and other media.
Alice in Wonderland
Alice, a lonely young girl, is lured into Wonderland by a White Rabbit (voice of Johnny Depp) and is plunged into strange, often illogical situations. She meets many strange and wacky characters, including Tweedledee and Tweedledum (Matt Lucas), twins with round heads who agree to disagree; a hookah-smoking Caterpillar (Danny Elfman); the Cheshire Cat (Stephen Fry) who likes to play now-you-see-me/now-you-don’t games; the March Hare (Paul Whitehouse); and an evil queen with pigs as foot stools who orders her underlings to kill anyone she thinks doesn’t support her.
The film is visually hypnotic and the special effects are spectacular. Director Tim Burton creates a Wonderland that is not overly elaborate and he employs a number of creative visual tricks to help draw viewers in, without resorting to too much sensory overload.
In the story, Alice is a teenager who runs away from her parents because they’ve pressured her to get married. When she returns to Wonderland, she is greeted by several of the characters she met in her previous adventures.
Despite her initial confusion, she soon finds herself able to solve the mysteries and learn to appreciate the world around her more deeply. In addition, she begins to understand how adults live and why they behave in certain ways.
Alice’s journey through Wonderland is also a metaphor for her growing up. She realizes that adult society is based on rules and expectations. She also discovers that she must obey those rules. But she must also find her own way in the world and figure out what she wants to do with her life.
Cosmic Casanova Giantessstories
Originally published in 1958, Cosmic Casanova was an awe-inspiring space opera written by Sir Arthur C. Clarke, a writer whose work is regarded as some of the best science fiction ever written.
In the story, an astronaut is shocked to discover that a woman he’d fallen in love with on a video screen is actually thirty feet tall. He later learns that he’s in the presence of an extraterrestrial female, which sets off a worldwide chase to find her.
The most notable version of the story appeared on the big screen, with Heath Ledger starring in the 2005 film and David Tennant in the BBC series. While both versions feature the classic sleaze and sex, they also make fun of Casanova’s character.
Ledger’s performance isn’t particularly memorable, but the script is wryly witty and a lot of fun to read. The movie is also a great example of the kind of satire that is so often missing in comics – it’s not just that it’s a laugh-out-loud comedy, but it makes light of the sexual abuse the characters endured.
This humour comes through brilliantly in this issue as Ba and Cris Peter bring the world of the book to life in ways that are both incredibly detailed and hyper-cartoony. They’re also very evocative and evoke emotion in the right ways.
This is a beautifully layered and intensely personal book that Fraction is at his most brilliant at. He’s able to take his autobiographical journey into madness and blend it into an elliptically warped kick ass spy-fu tale that’s equal parts fun, derangement, and cosmic insanity. It’s a rare gem and one that deserves multiple readings.
Honey I Blew Up the Kid
Honey I Blew Up the Kid is a sequel to the hit film Honey I Shrunk the Kids. This time around, scientist Wayne Szalinski is playing with particles and making things grow. Unfortunately for him, one of his experiments goes awry. The result is an accident that makes Adam a giant.
When he’s exposed to his dad’s growth beam, Adam quickly grows to giant size and terrorizes Las Vegas. In order to protect his family, Wayne must find a way to stop the boy from growing too big.
The movie was directed by Randal Kleiser, who was the director of the original Honey I Shrunk the Kids, and written by Thom Eberhardt and Peter Elbling. It also featured an all-star cast including John Shea, Rick Moranis, and Keri Russell.
Although the movie may seem overly familiar to the audience, it’s actually a good example of how to make a film that appeals to both kids and adults. In this case, it’s a fun adventure that also shows the importance of family and friendship.
While the giantess theme has appeared in motion pictures over the years, this is arguably the most effective one. It’s a metaphor for women’s power to overpower men, and the scenes in which they’re consumed by Diane Szalinski (Amy Szalinski) are some of the best giantess scenes in all of cinema.
Unlike the first film, this film doesn’t have many wacky or anarchic moments; instead it’s mostly a very simple story with few surprises. The slapstick is labored, the gags aren’t very clever and the film as a whole feels a little emotionless.
While this isn’t the best giantess movie ever made, it’s still worth seeing for its excellent effects and for the strong characters. It’s also a worthwhile addition to the surprisingly long list of movies that feature giantess characters.
Attack of the 50 Foot Woman Giantessstories
The classic B-movie Attack of the 50 Foot Woman, originally released in 1958 and remade in 1993, features a woman who grows to giant size after an encounter with aliens. The movie is often listed as one of the worst movies ever made.
In this movie, an abused socialite gets angry after an encounter with an alien, which makes her grow to giant size. She goes after her cheating husband with revenge on her mind.
Adapted from an earlier film, this 1958 science fiction film was produced by Bernard Woolner for Allied Artists Pictures. It was directed by Nathan H. Juran and starred Allison Hayes, William Hudson and Yvette Vickers.
This movie is a cult favorite and a must see for anyone who loves B-movies. Besides the great title, the film contains some of the most cheesy special effects of the 1950’s. It’s not hard to laugh at the incredibly fake giant hands or the optical effects that make the giants appear transparent.
The film stars Allison Hayes as a wealthy heiress who grows to giant size after an encounter with an alien. She then goes after her husband and his gold-digging mistress.
She becomes the inspiration for Ginormica, the main heroine of Monsters vs. Aliens, but they do have a few differences. Nancy never learned to control her giant powers, and the man she loved cheated on her for selfish reasons.
While this is a very bad movie, it does have a message. It’s a subtle one, but it’s important to make women feel powerful and empowered.
A woman who is abused by her father and husband, grows to 50 feet tall after an alien encounter, then goes after her husband and his mistress for revenge. She even learns a little bit about feminism while doing it.
Attack of the 50 Foot Cheerleader Giantessstories
In a cult classic homage to a film that is hardly a cult classic, Roger Corman and John Landis put together an intentionally cheap and campy parody of the original Attack of the 50 Foot Woman. As usual, the film is all about nudity and gratuitous bikini clad actresses.
The plot sees scientist and average looking Cassie Stratford (Jena Sims) taking an experimental drug that turns her into a beauty. She makes the cheerleading squad, but soon discovers that the drug has an unforeseen side effect: she can’t stop growing.
Ultimately, she becomes a Giantessstories. A ferocious creature with the power to destroy the university campus. But in the process, she also gains a lot of independence and sexuality.
There are many movies made about giantessstories. Some of them are pretty good, and some are just plain bad. But some of them are so bad that they actually become a fun, cult classic.
One of these is “Attack of the 50 Foot Cheerleader,” which features a simplistic scientific nerd named Cassie Stratford who takes an experimental drug that turns her into a beautiful beauty. She then makes the cheerleading squad and starts to grow into a Giantessstories.
This is a pretty low budget B-movie, so it’s understandable that some of the effects look less than impressive. It uses a lot of green screen, which can’t be accomplished with much money.
I would have liked to see some more advanced work, like the kind of camera movements and stuntwork that you’d expect in a movie with a budget that was bigger than a thous.
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